天安门 (Tiananmen) Parts 6, 7, & 8
Sat 14 March 2026 14:30 - 17:00 (CET)
Presented by China Unofficial Archives, CiLENS and Berlin Contemporary China Network (BCCN).
This series revisits key works of the Structure Wave Youth Cinema Group (SWYC), a pioneering collective central to the emergence of China’s New Documentary movement. Produced in the late 1980s and early 1990s—a period when documentary practice in China was quietly but decisively reimagined—these films belong to a transitional moment shaped by political, social, and aesthetic turmoil. Most were censored, and many have never been screened before. Seen today, they recover a long-forgotten phase in Chinese documentary cinema, offering critical insight into the early years of China’s reemergence as a global power.
Learn more about the film series, which takes place from March 12th - March 14th, here
The result of a multi-year effort to digitize and document China's New Documentary Movement, “China: Unseen Histories, Unsettled Memories” marks the first time that this body of work has been presented together. Two of the films have never been publicly screened anywhere. Three of the four are being shown in Germany for the first time, while another was last presented in an abbreviated version three decades ago. Together, they form the foundational corpus of China's New Documentary movement, a body of work that continues to challenge the state's monopoly on history.
天安门 (Tiananmen) Parts 6, 7, & 8
Shi Jian & Chen Jue, China, 1988–1991, Mandarin with English subtitles
Part 6: Guest Performers, 48 min.
Part 7: On the Way, 50 min.
Part 8: Memories, 60 min.
Followed by a talk with Chen Jue 陈爵, Shi Jian 时间 & Kuang Yang 邝杨
Eight-part documentary by China Central Television (CCTV) filmed in the late 1980s with a planned air date of National Day, October 1, 1989. Canceled after the June 4th Tiananmen crackdown, co-directors Shi Jian and Chen Jue completed the films independently. Parts 6, 7, & 8 show intellectuals and artists as witnesses rather than as state-approved authority figures; the country in a state of permanent transition without a stable destination; and the unresolved traumas of the Mao era.